A lieutenant for every captain

I had a small epiphany about the organization structure at my place of work (big financial institution). Many of the managers are non-technical (no surprise there) and have a technical “lieutenant” that they depend on for technical matters. They routinely pass all the significant technical concerns to this single trusted lieutenant.

Arguably this is just practical delegation, or a natural result of the two “tracks” of promotion (technical and management). Regardless, it’s funny (both “ha ha” and weird) now that I see it that way. Being technical, the lieutenants often don’t share the same viewpoint (having been shaped by personal experiences and plain bias). Yet the lieutenants have their respective captain’s ear, and indirectly shape debate at a higher level.

Even when instructed to collaborate, lieutenants may not come to meaningful agreement/compromise. There’s no responsibility to a common superior, so it can easily become a form of “he said, she said”. In theory, there is a common superior if you follow the organization tree high enough, but even in that case, the dilution effect of the true and complete intent from “flowing” through even two different people is significant.

To put it a different way, it seems that every non-technical manager recognizes their deficiency and picks up the best techie they can find to use as their tech “shield/sword/hammer”. Yet the efficacy of these techies collaborating is greatly reduced compared to a typical tech team because their responsibility to each other is so indirect and dilute.

It seems like it’d be better that as managers have their own tree, the techies should have their own as well. Then at least you’d have the people who would naturally need to deal with each other more often (business to business, management to management, tech to tech) closely aligned in interest. An analogy would be like painting: your basic resources (colours) are pooled homogeneously first; after you determine your needs, you take what you need and put it into a palette for mixing. The current system feels more like having been dealt random colours on various palettes, leaving you holding too many palettes to manage at once.

Hmm… come to think of it, that’s exactly what Microsoft does with their system of three. A Program Manager, a Developer, and a Test resource to work on a feature, yet each reports to their own hierarchy. I guess other people have grasped this idea better than I have (given my disjointed explanation). Too bad I’ve yet to find literature that encapsulates this eloquently.

Harry Potter volume 6 : the Half Blood Prince

I’m sure a lot’s been written about Harry Potter and the latest volume. I was astonished to find out that not only did preorders of Harry Potter 6 push it into Amazon Sales Rank #1, the “adult version” with a more conservative cover was Amazon Sales Rank #2.

Instead, my thoughts are on the series as a whole, but something I finally noticed with the most recent volume. I’ve noticed that Ms. Rowling does two things astonishingly well:

  1. Giving tidbits (objects, information) early on that the reader knows are significant, yet weaving them into their eventual use naturally and surprisingly. The reader isn’t surprised that it’s significant, so much as taken by surprise at the unexpected and creative use (especially compared to the obvious preconceived notion of how it might be used). Like a mystery novel in that way.
  2. Focusing the reader’s imagination through the coloured lenses of Harry’s personality and mind. At the end of the books, the facts are all laid bare, and the reader understands what really happened, but during the novel the reader is led to feel the same way as Harry does, sharing his opinions and conclusions. In hindsight, if the reader knew where to look, the signs and foreshadowing were there – but the reader, like Harry, has other preoccupations that distract and divert. The tone of the book changes as Harry’s perception changes – as he grows up and with each experience that shapes him.

This second idea makes rereading the series a tantalizing prospect. In addition to enjoying an imaginative series a second time, I think it’ll be fascinating to examine how Ms. Rowlings plays the reality of the world for the reader to see, but only through the changing and distoring viewpoint of Harry. We notice what Harry notices, and we fail to notice what Harry fails to notice – yet when it’s pointed out, Harry and the readers can backtrack to notice that in fact it really did happen.

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