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Archive for June, 2008

TSO: Gershwin, Prokofiev, and a surprise

Posted by GJ on June 15, 2008

Took another trip to the Toronto Symphony Orchestra for the last show of the 2007-2008 subscription season. I’ve gone pretty often recently; if it keeps up, I’ll have to stop blogging about it as it transitions from the unusual to the mundane!

Unfortunately, I arrived very late, missing the headline piece, a piano concerto of George Gershwin’s making. Too bad; during the intermission interview with the pianist, Jean-Yves Thibaudet, the piece was described as “the classiest broadway musical you’ll ever hear,” and it was suggested that Gershwin’s music was very much under-appreciated in North America.

At least I caught the second half, which was composed of excerpts from Prokofiev’s Romeo and Juliet. Enjoyable, and probably best recognized by this distinctive segment (listen to the 1′40″ mark):

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Getting Dell 1700 laser printer working on Ubuntu Linux

Posted by GJ on June 12, 2008

I have an aging Dell 1700 (not 1700n) laser printer, that I make network accessible via an equally geriatric SMB7004 ABR router (it has a parallel port for the printer and exposes network printer service).

Owing to a recent desktop upgrade, I found myself trying to remember how to get it work with Ubuntu and CUPS. I distinctly remember downloading the Dell Windows drivers and extracting the PPD file out to give to CUPS, with successful results.

Not this time.

Using the Dell drivers (1700 PS3) resulted in the printer flashing error briefly, then resetting; useless. I tired some of the generic drivers that come with CUPS (e.g. PCL5). They worked for 8.5×11 sheets, but would also print envelope sizes (which are supposed to manually fed) on those same 8.5×11 sheets. Nearly any reasonable driver seems to work for 8.5×11, but would also assume that size for other page sizes.

Eventually, I found a discussion thread about the Dell 1700 laser printer on Linux. It turns out that the driver I wanted was the generic PCL 6/PCL XL Printer Foomatic/pxlmono, which comes with CUPS. Finally! The irony of spending hours debugging a computer problem so that I could avoid handwriting an address on an envelope was not lost on me. :P

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TSO: Celebrating Jacques Israelievitch

Posted by GJ on June 9, 2008

The TSO’s concertmaster, Jacques Israelievitch, put on one more show as a farewell, starting with Bach’s Concerto in D Minor for Two Violins, bridged with a newly composed piece by Kelly-Marie Murphy, and ending with the very enjoyable Violin Concerto in D Major by Tchaikovsky.

Bach’s piece reminded me strongly of the old world ballroom music, men with white wigs enjoying fine music and wine. I guess this is what one calls chamber music? Despite the plethora of violins, I didn’t enjoy it much.

The next piece, Dallaire, was specially commissioned for this event, so that Mr. Israelievitch, a violinist, could play alongside his son, a percussionists. An unusual pairing, the piece had its moments. Strangely, the moments I liked and disliked were right next to each other. I didn’t enjoy the percussion solos; they were louder than when the entire orchestra was playing and made the resumption of the orchestra seem weak in comparison. However, once the orchestra resumed, the percussion added power to the violin’s solemn song. The overall piece was dark and solemn, punctured with intervals of drama. The composer spoke before the music started playing, and made allusions to the concept of a conversation. If so, then this piece sounded like very serious discourse, punctuated with a sharp word or two.

The last piece, Violin Concerto in D Major by Tchaikovsky, was a pleasure. I enjoyed the music of the first half a great deal, particularly in the first few minutes where a crescendo of lively music segues into a violin solo. The only downer was that there was a 10 year old kid on the left, and a sniffle nosed senior on the right. It pains me to sound like a snob, but it made it hard to really get into the music, particularly during the solos. :(

Tchaikovsky’s Violin Concerto in D Major

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Book review: How Doctors Think

Posted by GJ on June 7, 2008

HowDoctorsThink

http://www.amazon.com/How-Doctors-Think-Jerome-Groopman/dp/0547053649

“How Doctors Think” is a series of anecdotes by various doctors, interviewed by the authour, with the underlying theme of when/why/how doctors can make mistakes.

In the sense that it gave me insight into what really goes on behind the appearance of infallible expert, the book was fascinating. The authour talks about why doctors sometimes give you a multitude of answers, misdiagnose, rush, or don’t seem to care, by giving you the doctors’ perspective on the situation.

There are two aspects I didn’t care for, both closely related. Mind you, I got the book for insight into the doctor’s life and nothing more.

The first is the advice to the patients, where the authour tries to advise patients on what they can do to “help” the doctor avoid misdiagnosis. Encouraging patients to question the doctor or try to coach lateral thinking won’t be effective for all doctor-patient relationships or situations. I happen to like asking doctors questions, for my own edification, but I don’t know if that would work for everyone.

The second is the apparent theme to doctors, to be aware of potential for cognitive errors, and examples of how other doctors handle themselves to reduce the chances of those cognitive errors. Mildly intersting, but too much time spent on it considering I’m not a doctor and I imagine most readers wouldn’t be either?

Overall, though, I learned a lot about life in a doctor’s coat, and that makes it a great book for me.

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Strings night at TSO

Posted by GJ on June 5, 2008

Cellist Enrico Dindo – who dazzled TSO audiences in 2006 with the two Shostakovich Concertos – returns with another masterpiece of twentieth century Russian music: Sergey Prokofiev’s thrilling Sinfonia concertante. Peter Oundjian has paired it with American composer John Corigliano’s Symphony No. 2. This Pulitzer Prize-winning work for string orchestra was hailed by the Chicago Tribune for its “coruscating power, eerie beauty and sheer inventive fantasy.”

Bernstein: Candide Overture
Prokofiev: Sinfonia concertante for Cello and Orchestra
John Corigliano: Symphony No. 2 for string orchestra

I love stringed instruments. The cello isn’t my favourite instrument, but it was still good. The price was certainly right, too, at $6!

During the concert, my mind wandered too much, and I discovered that it was easier to focus and enjoy the music by leaning forward and watching the motions of the musicians. Particularly for the violins (large, frenetic motions), it was invigorating to watch the orchestra move as a group.

The third piece, Symphone No. 2, was particularly striking. It was originally prepared as a farewell tour piece for a string quartet. In the first movement, the piece makes use of drawn out, pregnant silences, connected with muted whisperings from the violins; quite enchanting

The first movement was, however, marred by coughing from several people throughout. It’s summer, how can they be sick? :(

The other four movements were quite good, though it was mostly the first movement that made the most striking impression. I certainly liked this piece better than its precendent with the cello.

I have a fondness for violins, and Symphony No. 2 certainly put them through its paces. It also gave me an opportunity to reflect on why I liked the violin so much. I decided that it was for its “pure and sweet sound”, long solid notes, frenetic fast-changing notes, and pitch like a women’s choir.

There’s another violin concerto this weekend, with pieces from Bach and Tchaikovsky. I’m looking forward to it, I hope it fits in my calendar!

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Calphalon Basic Skills #1: Kitchen Foundations

Posted by GJ on June 4, 2008

In professional kitchens, any cook worth his or her salt knows the importance of mastering the most used tools in the kitchen - the knives. The goal of this class is to build confidence while teaching precision and skill, working alongside our Chef Instructor. Major cutting techniques are demonstrated and practiced using our block of knives. You will learn the purpose, usage and correct grip for each knife. As well, we’ll showcase and practice the most efficient way to chop, slice and dice a wide variety of fruits and vegetables for different situations and maximum results. You’ll reap the rewards of your new knife skills by creating delicious recipes during class.

The Calphalon classroom was composed of four long counter tops: one at the front for the chef, and the 12 students distributed along the other 3 rows. There are a couple ceiling mounted televisions for the camera above the chef’s head, and a long row of mirrors above the chef’s counter to give a similar view.

Each student’s station had a nicely folded apron, washcloth, and towel for hot handles. A knife block held Calphalon’s VG knives, and a motley collection of spatulas, spoons, graters, forks, etc. in a couple pots. A shared block of four gas burners and a couple of non-stick woks rounded out the equipment. Upon arrival, each student received a binder to hold the recipes received in the subsequent weeks.

The chef, Ian Dowsett, has a pleasant radio-celebrity-type voice, and his assistant, Donna Wong, was very helpful. The chef made the class feel at ease with his comfortable, self-deprecating manner: a smooth banter talking with students by name. We spent the first 15 minutes waiting for a no-show, and another 15 minutes talking about procedures (cleaning between recipes, knife use, etc.).

For each recipe, the ingredients were already washed and prepared to the degree necessary for the lesson. Students line up at the front to receive the ingredients from chef and assistant on their trays.

The first recipe, a fruit salad, was an exercise in delicate knife skills. We each received our fruit pieces and tried out the small paring knives as instructed. Slicing instructions for the strawberries; carving instructions to remove the peels from the kiwi, papaya, and cantaloupe; learning to “segment” an orange; skinning a pineapple. Perhaps an obvious “trick”, but the chef pointed out that when one’s knife is too small to hold fruit on the blade, one could sweep the fruit from the cutting board into the fruit bowl. The fruit salad was laced with a delicious raspberry liqueur for a delicious finish.

The second recipe, a chicken stir-fry, was an exercise in chopping up vegetables. The emphasis here was on the large knives, and we were free to rotate between the classic chef’s knife, santoku, and mini-cleaver. They were all made out of the “Damascus” steel that gives the lovely wavy pattern on the blade. Most of this section I already knew (e.g. rocking motion to mince garlic, finger placement, peeling ginger with a spoon), but I did learn a few novelties (hot peppers expunge their seeds when you “roll” it like a cigar) and had a good time trying out the different knives for feel. I decided I didn’t like the full chef’s knife - too heavy.

We also got some instruction in using the wok: order of ingredients going in, amount of oil to use, what happens if we let the oil get cool, visually identifying the “done-ness”.

After each recipe, we brought back the various bowls to the front and took a short break to package the food up and eat some if we wished. The fruit salad was a no brainer, and my chicken stir-fry turned out okay, although as always I cleaned the snap peas poorly.

After class, I chatted with the chef a bit about George Brown College’s culinary classes (for continuing education students). A GBC alumni, he told me that:

  • Calphalon’s class size is 12 vs. GBC’s 24.
  • Calphalon prepares the ingredients somewhat for you, compared to GBC’s raw materials.
  • GBC offers more breadth, but you also spend more time doing other things (e.g. prep work)

My additional notes are that Calphalon provides equipment and cleans for you, but GBC qualifies for the tuition tax credit. I suspect that GBC appeals to the more serious/dedicated culinary students, whereas Calphalon is more of a “spontaneous, fun activity”. Certainly, when I looked at GBC’s courses, they were all full or canceled for the summer, but I was able to book with Calphalon two days prior to the first class.

An added bonus: on days when I am taking a lesson, I receive a 20% discount on Calphalon equipment. Anyone want anything? :)

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Calphalon Culinary Center: Basic Skills Class

Posted by GJ on June 1, 2008

While I do have some basic cooking skills, it’d be nice to make sure I’m using the “proper” technique. With that in mind, I signed up for the “Basic Skills” classes with Calphalon to see what I can learn.

I suspect the George Brown College culinary classes are a better “deal”; GBC offers dramatically more classroom hours per dollar, so presumably would cover more material. As an accredited college, the costs are also eligible for tuition reimbursements. Unfortunately, all the GBC sessions for the summer are full or cancelled. Maybe next season.

On the other hand, Calphalon does offer a very flexible schedule, and good breadth of topics. The class sizes are small (12), and they provide all the cooking equipment for you; I’m sure the equipment is quite nice, too.

Here are the classes:

  • Basic Skills Class #1: Kitchen Foundations
  • Basic Skills Class #2: Soups & Stocks, Steaming & Poaching
  • Basic Skills Class #3: Sauteing & Pan-Frying
  • Basic Skills Class #4: Grilling, Roasting & Baking

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